Animated Three.js and WebGL backgrounds

Sunset 3D Japanese House from Sunset 3D. Independently runnable with its own source and preview.

Sunset 3D Installation Diorama from Sunset 3D. Independently runnable with its own source and preview.

Sunset 3D Japan Network from Sunset 3D. Independently runnable with its own source and preview.

Sunset 3D Night House from Sunset 3D. Independently runnable with its own source and preview.

Sunset 3D Sunset Wordmark from Sunset 3D. Independently runnable with its own source and preview.

Sunset Waves from Sunseto. Independently runnable with its own source and preview.

Japanese Solar House from Sunseto. Independently runnable with its own source and preview.

Warm Solar Panel from Sunseto. Independently runnable with its own source and preview.

Modern Solar Home from Sunseto. Independently runnable with its own source and preview.

Home Battery from Sunseto. Independently runnable with its own source and preview.

Energy App Phones from Sunseto. Independently runnable with its own source and preview.

Sun Illustration from Sunseto. Independently runnable with its own source and preview.

App Phone from Sunseto. Independently runnable with its own source and preview.

Rooftop Solar from Sunseto. Independently runnable with its own source and preview.

Battery Cabinet from Sunseto. Independently runnable with its own source and preview.

Installation Landscape from Sunseto. Independently runnable with its own source and preview.

Isometric Installation from Sunseto. Independently runnable with its own source and preview.

House at Dusk from Sunseto. Independently runnable with its own source and preview.

House in a Storm from Sunseto. Independently runnable with its own source and preview.

Energy Network from Sunseto. Independently runnable with its own source and preview.

Ocean from Sunseto. Independently runnable with its own source and preview.

Falling Petals from Sunseto. Independently runnable with its own source and preview.

A luminous valley carpeted with procedural daisies, framed by violet mountain walls, drifting sparks, mist, stars, and flowing light ribbons as the camera flies forward through the field.

Rings of type stacked into a receding funnel instead of one flat plane, each ring riding up past the next as the pointer moves, with a near/far light ramp shading the depth and motes drifting in the gaps between layers.

The stack laid flat as open water: twenty bands of type bent along a sine and spread from a horizon to the foreground, each one running a beat behind the one in front so the swell travels out of the frame.

The stack read as a range: seven ridged silhouettes with type packed under each crest and thinning into the shadow below, separated so the front range travels ten times as far as the back under an ember dusk.

The stack grown into a tree, where one layer is one branch: every limb is a strip of type pivoting on its own foot, carrying a depth drawn at generation time, so the crown opens into a volume in a green-black wood.

The authored page exactly as written: the eroded limestone plinth turning under a stone lantern, wound about by skeins of spun light and a slow spiral of tumbling debris.

The same bluff carrying a medieval keep, laid stone by stone against a crown profile that decides how high each wall still stands — quoined corners, arched windows, a gate arch in the curtain wall, a turret taken down on its outward side, and a fire still burning in the broken crown.

A round table of rock carrying a polar maze carved by a depth-first walk — six rings of kerbstone with real dead ends, a hearth at the middle, and the one true route lit as a thread of light that walks itself from the mouth inward, seen from an eye lifted to read the plan.

The same rock quarried into two terraces for a Japanese shrine: a vermilion torii and its laid-up straw rope on the low ground, a stair between them, a pair of lit stone lanterns, and a hall whose bark roof holds a level ridge, an eave that lifts to its four corners, and crossed chigi at the gable.

The authored page's own scene: a 390,000-point hummingbird whose wings are skinned in the vertex shader into a real swept blur, hovering over a bed of trumpet blossoms, flying to a standoff from the cursor whenever the pointer moves.

A butterfly on a cherry branch: forewings and hindwings filled by area off their own outline tables, veined and lit at the margin, settling onto a limb hung with five-petal blossoms while cut petals tumble through the frame — the ember ramp regraded plum to blossom.

A deep-bodied reef fish over a coral shelf, driven by a travelling body wave that yaws each section into its own turn, with staghorn heads, boulder coral and sea fans below and sun shafts fed into the density buffer so the light through the water carries the same dot lattice.

Eight jellyfish rising through midnight water: one bell built once and stamped out through a per-vertex seed, each on its own contraction phase, its oral arms and tentacle veil inheriting the squeeze a stroke late — the nearest one leans its crown toward the cursor.

The authored page exactly as written: a measured skull and torso scanned along the view axis, so the rings crowd into a bright comb at the rim and the face stays dark.

The same scan around a tarot card: a rounded-rectangle silhouette combed at its border, two printed rules, corner pips, a stroke-drawn numeral and name, and three inclined orbits with their riders running clean through the card's own plane.

A cathode-ray cabinet scanned as one closed shell, so the crowding at the rim paints the bezel comb and the tube's taper in a single pass. A lit inner lip, a graticule and two traces on the glass with a raster band rolling down them, safe-area brackets in the picture corners, and a moulding seam and vented brow carrying the detail out of the chin and across the whole cabinet.

Seventy silhouettes instead of one: a 65 percent board laid back off the view axis, every sculpted keycap scanned by the same machinery at a twentieth the scale so each arrives wearing its own comb, over an underglow spilling from the front lip.

The authored page with the owner's workstation revision: the isometric CRT cabinet wearing a 3x3 vent field, its recessed screen streaming indented source over a numbered gutter, the backlit keyboard, a mouse standing on the desk beside it, and the props behind.

The same drawing around a living-room console: a flat panel running a side-scroller, a vented slab beside it, and a gamepad whose shell is a single blended capsule outline that rolls in at the base and domes at the crown, its buttons lit in bursts.

A recording booth: a counterweighted boom carrying a microphone and pop screen off the isometric grid, a desk mixer, a programme monitor standing clear of it on its own foot, and a text-free illuminated plate on the treatment panel.

A camera rig: sticks turned off the grid so all three legs read, a matte box and lens on the body, a 16:9 monitor slung off the top plate on its arm, a panel light holding the key, and a slate set down clear of the legs.

The authored globe: Natural Earth's coastlines dotted over a dark ocean, great-circle flight paths running between two dozen cities, and a starfield thinned around the limb — landing on the same pull-back the four derived worlds use.

One grey and nothing else: the maria at their real selenographic centres, three octaves of impact cratering over near side and far side alike, and Tycho's ray system thrown clear across the disc.

The albedo map a small telescope shows — Syrtis Major, Hellas, Solis Lacus — over an impact record: twenty named craters and basins at their real radii, three octaves of unnamed ones thinning northward across the crustal dichotomy, the Tharsis volcanoes with a bright shield and a dark caldera, and a seasonal cap at each pole.

The zonal flow banding the globe, and Cassini's own ring radii rebuilt on the flight-path layer: every route becomes one short chip of ice, and the comet that used to run a route becomes the glint that crosses it.

Granulation over the supergranular network, spot groups with an umbra inside a penumbra inside a ring of faculae, and the routes regrown as prominence arcades with plasma climbing one leg of each loop and falling down the other.

Betawise's point-cloud bust isolated as a full-frame pointer-responsive background without the hero navigation, copy, actions, or CTAs.

Mira Solvang's cold-blue CRT edit wall isolated as a full-frame background without navigation, portfolio copy, controls, reel UI, or section content.

The authored field, served byte-for-byte: ridged ranges over an open swell, mirrored in the water under a cold blue horizon.

The same field as a night harbour: a low far bank carrying a lit skyline, a suspension span crossing the water in front of it, and the whole grade turned from cold blue to sodium.

The ridged fractal sampled across one wind instead of every direction, so its crests comb into dunes over worked sand, under a sun that has just gone.

The ranges rounded off into forested hills with a meander carved through them; the wave lattice is masked to that channel, so the swell becomes a river running out of the frame.

The authored composition: the landscape debit card hovering inside its halo over a still midnight sea.

A cratered gibbous moon half out of the sea, its other half given back by the water, with no halo drawn in front of it and the card stood upright and taken to cold platinum.

Iron oxide all the way down: Mars half out of a rust sea with its dark albedo features, rift and polar cap, the halo left out, and the upright card struck in copper.

Earth half out of the sea with its oceans, banded cloud deck, ice caps, city lights and sunlit terminator, the halo left out, and a phone whose screen carries a photograph of the same scene.

The authored orbit: an 8K day plate read through a cubic B-spline, a cloud deck on its own shell, ice caps, city light, and one scattering integral shared by surface, deck and halo — drifting at a quarter of the rate it was authored at.

The plates drop out and a jittered crater lattice takes their place — flat-floored basins, terraced rims and central peaks at four scales, ray systems off the youngest, and dark basalt maria carrying a third of the craters the highlands do.

The same lattice split across the hemispheric dichotomy — old cratered south, resurfaced north — with the Tharsis shields, a four-thousand-kilometre canyon, wind streaks and spiralled polar frost, under a dust column whose scattering vector is the inverse of Earth's.

No ground and no halo: a zonal wind profile that drags each belt against the next and curls its edges into festoons and eddies, five octaves of cloud-top filament faded against their own screen footprint, the north polar hexagon, and a ring system of noise-built ringlets and orbital clumps cut by the Cassini, Encke and Keeler gaps — carrying the planet's shadow, laying its own back onto the disc, and holding the B-ring spokes.

The authored field with nothing taken from it: a flat lattice of dots with a crest travelling out from the centre, warming to amber as it passes. Only the page's editorial layer is gone, so the background is the field and nothing else.

The same field on a ground plane instead of a table: ridged fractal ranges in brown stone standing off behind a scree floor, with the authored crest sweeping over them and its embers turned to a low sun on rock.

The same ground plane as forested hills, under a closed conifer canopy laid out in lattice space so a crown is always a few dots wide, with the accent turned from orange to the green-gold the light comes through as.

No terrain at all: four crossed wave trains rolling back to the horizon, glitter carried in lattice space, and the authored crest expanding across the water with its accent turned to the blue the sea throws back.

The authored field exactly as written: a twisted catenoid of hairline filaments flaring into a crown and splaying into roots, over a drifting blue star field.

The same field closed into a flower: the curve index cut into petals and arcs, every blade fluted across its width, and a moon that lights the petals it reaches under a cool sheen while the rest fall to deep magenta.

The field folded into a sunset range: one continuous surface of contours receding into a low sun, peaks and valleys sliding past each other, with a hot rim on every crest the sun can reach.

The field laid flat as open water: long swells running toward the viewer under a night sky, with the moon laying a glade of glints straight down the frame.

The original horizontal wash crossed by a vertical shaft with a sliding glow.

The beam bent into a circle, with an arc of light running the circumference.

A thin border hugging the viewport edge, lit by a highlight travelling the perimeter.

Two 45° shafts crossing at the centre, their glows taking turns down each arm.

The violet predictive pixel arch with a luminous animated core.

An emerald pixel horizon with an organic breathing band.

A dark signal-particle field with soft connective pulses.

A block-by-block override grid with telemetry-orange accents.

A cyan, indigo, and purple WebGL ribbon field resolved through an animated dot matrix.

A transparent raw-WebGL void field detached from its original article composition.

A red-orange raw-WebGL flow field resolved through its authored six-pixel halftone matrix.

An animated amber-to-white Three.js point field on a dark plane.

A centered silver ray-marched liquid form with authored studio reflections and pointer-responsive camera drift.

The authored 19-row Zion boot log typing itself onto green phosphor, now resolved at the full backing resolution so the glyph cores stay crisp behind the grille.

A monotone academy leader: letterboxed frame, sweeping countdown dial, scrolling film perforations, registration marks, and a running 24 fps timecode graded to pure luminance.

A retro signal-fault panel on saturated broadcast blue, torn by shader-side transport noise: per-row jitter, a rolling dropout band, head-switching scramble, and heavy static.

An 8-bit console title screen drawn on a 320×180 grid with a hand-authored 5×7 pixel font and nearest-neighbour upscale, so every sprite, brick, and letter lands on a hard pixel edge.

The original layered FBM energy sphere with translucent rim glow and depth-aware star field.

Monotone glyph chains wander a dimensional sphere, collide with pinned stars, and respond to drag and pointer contact.

A dotted continent mesh on a luminous dusk horizon with crossing gradient routes, sparks, hover highlights, and click-launched arcs.

The original Codex credential assembled from luminous rain and curl-noise embers.

A complete browser window and page layout illustrated with the exact same rain, spark, waterline, and dissolve effect.

A modern iPhone silhouette with Dynamic Island, app UI, icon grid, dock, and home indicator formed from the same living spark field.

A widescreen studio monitor with camera, creative workspace, tool rail, inspector, timeline, architectural stand, and base formed from the same sparks.

A refracted OpenAI mark beneath pointer-driven circular ripples, cyan depth, and soft suspended particles.

Violet fBm arcs crawl around the Anthropic contour while pointer proximity pulls the storm closer.

Noise-driven flame ribbons and rising embers lick upward from the Claude mark edge.

Transparent droplets grow, merge, fall, and resolve into soft water splash rings.

A painterly branching tree grows from warm sienna to golden tips, sways with pointer wind, and sheds soft ambient motes.

DesignCode 5’s exact engraved range: fourteen hand-placed massifs, ridged couloirs, a foreground fir band, and the monochrome plume behind them.

A meandering river cut through the same hidden-line valley, with firs and broadleaf trees crowding both banks and the plume reflected down the channel.

Wind-rippled dunes running under flat-topped buttes, with saguaros, boulders, and scrub engraved across the near band and a warm plume on the horizon.

A suspension crossing over a night bay: braced towers, catenary cables, lamp-lit deck, and a lit skyline on the far shore doubled in the water.

A seven-thousand-point orange fibonacci shell on the authored four-second loop: it crumples and erodes into holes while eight jagged lightning arcs strike across it, and it leans out toward the pointer wherever the cursor rests.

A dendritic ember-to-gold limb structure on a nine-second turntable, eroding back from the tips while eight pulses climb from the root to a branch tip and return.

A ridged height field drifting over nine seconds, its rows drawn far-to-near so the relief reads solid, violet scree eroding off warm crests while six lava veins run down the slopes into a hazed far edge.

A six-lobe indigo and magenta cloud shearing around its own core over eight seconds, hollowing into voids while seven filament rings wind through the volume.

A cinematic dune flight under violet twilight, with procedural sand ridges, a layered distant range, wind-blown haze, pointer-guided orbit, and a smooth night-to-day lighting dissolve.

A luminous dust planet suspended in a black star field, with a tilted particle axis, a responsive orbital ring, pointer attraction, and click-triggered shockwaves that scatter across the globe.

A drifting particle constellation network with tunable link stroke width over a deep night field.

A soft particle drift field lifted from a compute-network hero stage.

A sharp, thin-stroke particle network field with crisp retina trails.

A black-stage flow canvas with streaming gateway trajectories.

A light-mode connectivity graph canvas with animated node links.

A faint interface line-field background for dense system UI stages.

A crimson defense-line canvas field behind a high-contrast hero stage.

A raw-WebGL topography field with flowing elevation bands.

A Three.js ShaderMaterial portal with pointer-reactive fringe light.

A raw-WebGL cloud migration background isolated at its source renderer boundary.

Warm amber, gold, and coral particles trace a deterministic simplex-noise field.

A Chladni-inspired bell field with nodal metal patterns and rising foundry embers.

Three chromatically separated violet wavefronts crossing a rotated fluid field.

The preserved pointer-reactive three-way matrix junction.

A white-hot emerald blade cutting through layered procedural vapor and faint mirage rails.

Violet and amber carrier rails accelerate from a pointer-steered horizon origin.

An off-axis cyan relay where vapor resolves into an animated screen-space dot field.