Landscape components and templates

The complete Tidecrest hero page, preserved unchanged with its Three.js terrain and the authored EffectComposer and UnrealBloom post-processing chain.

An immersive five-scene journey through gate, path, garden, hall, and eternity, staging a fully procedural Japanese world behind flat monumental type, vertical chapter markers, a compact menu, and an authored loading sequence. The senbon-torii walk is paved in procedural flags that follow the corridor's own sway and rise, and the hero gate carries its roof as one swept tapered sweep.

A cinematic field-geology expedition story that moves from a living desert survey into layered field notes, an interactive journal, a flight through fourteen rock exposures, an aerial lens study, expedition cards, methodology, traveller accounts, questions, and a dusk landscape.

The authored field, served byte-for-byte: ridged ranges over an open swell, mirrored in the water under a cold blue horizon.

The same field as a night harbour: a low far bank carrying a lit skyline, a suspension span crossing the water in front of it, and the whole grade turned from cold blue to sodium.

The ridged fractal sampled across one wind instead of every direction, so its crests comb into dunes over worked sand, under a sun that has just gone.

The ranges rounded off into forested hills with a meander carved through them; the wave lattice is masked to that channel, so the swell becomes a river running out of the frame.

The authored field with nothing taken from it: a flat lattice of dots with a crest travelling out from the centre, warming to amber as it passes. Only the page's editorial layer is gone, so the background is the field and nothing else.

The same field on a ground plane instead of a table: ridged fractal ranges in brown stone standing off behind a scree floor, with the authored crest sweeping over them and its embers turned to a low sun on rock.

The same ground plane as forested hills, under a closed conifer canopy laid out in lattice space so a crown is always a few dots wide, with the accent turned from orange to the green-gold the light comes through as.

No terrain at all: four crossed wave trains rolling back to the horizon, glitter carried in lattice space, and the authored crest expanding across the water with its accent turned to the blue the sea throws back.

The authored field exactly as written: a twisted catenoid of hairline filaments flaring into a crown and splaying into roots, over a drifting blue star field.

The same field closed into a flower: the curve index cut into petals and arcs, every blade fluted across its width, and a moon that lights the petals it reaches under a cool sheen while the rest fall to deep magenta.

The field folded into a sunset range: one continuous surface of contours receding into a low sun, peaks and valleys sliding past each other, with a hot rim on every crest the sun can reach.

The field laid flat as open water: long swells running toward the viewer under a night sky, with the moon laying a glade of glints straight down the frame.

DesignCode 5’s exact engraved range: fourteen hand-placed massifs, ridged couloirs, a foreground fir band, and the monochrome plume behind them.

A meandering river cut through the same hidden-line valley, with firs and broadleaf trees crowding both banks and the plume reflected down the channel.

Wind-rippled dunes running under flat-topped buttes, with saguaros, boulders, and scrub engraved across the near band and a warm plume on the horizon.

A suspension crossing over a night bay: braced towers, catenary cables, lamp-lit deck, and a lit skyline on the far shore doubled in the water.

A seven-thousand-point orange fibonacci shell on the authored four-second loop: it crumples and erodes into holes while eight jagged lightning arcs strike across it, and it leans out toward the pointer wherever the cursor rests.

A dendritic ember-to-gold limb structure on a nine-second turntable, eroding back from the tips while eight pulses climb from the root to a branch tip and return.

A ridged height field drifting over nine seconds, its rows drawn far-to-near so the relief reads solid, violet scree eroding off warm crests while six lava veins run down the slopes into a hazed far edge.

A six-lobe indigo and magenta cloud shearing around its own core over eight seconds, hollowing into voids while seven filament rings wind through the volume.

A cinematic dune flight under violet twilight, with procedural sand ridges, a layered distant range, wind-blown haze, pointer-guided orbit, and a smooth night-to-day lighting dissolve.

Explore a real-time mountain river valley at golden hour, with sakura trees, a boat, temples, weather, and a changing day and night sky.

The exact authored sunset valley with its warm canyon, glowing river, smoke, dust, grass, and pointer physics.

A lush green morning with a cool misty sky, richer ground cover, and thousands of instanced river-valley trees.

A deep blue starlit night beneath five folded borealis curtains, green along their sharp lower border and violet in the crown.

The half hour after the sun has gone: an indigo sky over one ember of afterglow, the river turned to a pale mirror, and the same fern banks lit only by skylight.

Kage’s procedural Kyoto mountain temple after dark, with the exact authored architecture, rain, mist, leaves, pointer wisps, camera composition, and bloom pipeline.

The same world engine turned on Yosemite Valley at last light: El Capitan and Cathedral Rocks under painted alpenglow, Half Dome at the head of the valley, a giant sequoia grove, and the Merced running out of frame.

A park above the Golden Gate at the end of the day: wind-sheared Monterey cypress over a green bluff, the bridge stretched across the strait in International Orange, the Marin headlands beyond it, and fog coming in under the sun.

The same engine turned cold: Mount Victoria under alpenglow at the head of a glacial lake, its snowline and hanging glacier painted by the massif routine, a spruce fringe down both shores, and the peak mirrored in turquoise water.

Low amber light crossing the grass and distant ridges under the source's warm morning sky.

Clear cool daylight with the terrain, moisture colours, stones, and grass at their most legible.

The ridges and grass settle into long warm light beneath a deepening six-stop sky.

Moonlit terrain beneath 39,200 stars constrained to the landscape camera's visible band.

Rain draws in the fog, darkens the ground into puddles, and throws small splashes across the field.

A dense sideways downpour over sunset light, with close fog and multi-stroke lightning flashes.

Wind-driven snow settles across the terrain, stones, and grass while a blizzard tightens the horizon.

A Japanese tenshu with an ishigaki stone base, plastered storeys, and flying tiled eaves.

A Chinese pagoda in vermilion lacquer and green glaze beneath a gilt finial.

A Vietnamese tháp with seven octagonal Huế lime-wash storeys and lifted tiled eaves.

A Thai prang rising from a stepped plinth into a richly detailed gold spire.

A Khmer prasat on laterite terraces with a redented sanctuary and diminishing sandstone tiers.

An Ottoman mosque with limestone ashlar, İznik tile, a lead dome, and twin pencil minarets.