Mist components and templates

A cinematic pirate ship voyage through a misty river valley, with detailed rigging, reflective water, atmospheric lighting, and an interactive camera.

Nacre's complete sculptural koi hero, with porcelain, gold, and nocturnal finishes, editorial navigation, collection dialogs, and a tactile Three.js fish study.

A luminous valley carpeted with procedural daisies, framed by violet mountain walls, drifting sparks, mist, stars, and flowing light ribbons as the camera flies forward through the field.

The original procedural moss-root world with pale flowers, ferns, drifting pollen, scan light, and a landing butterfly.

Mossy cherry boughs at close range, carrying a recursive twig network in open blossom over a golden cushion, with petals tumbling through a quiet dusk field.

The same mossy boughs turned to maple: palmate leaves running crimson to gold along every spray, a green-gold cushion, and leaves tumbling through a cold slate dusk.

The same boughs as redwood: flat sprays of scale-needle foliage on fibrous cinnamon bark, deep moss, and sprigs drifting through grove fog.

Kage’s procedural Kyoto mountain temple after dark, with the exact authored architecture, rain, mist, leaves, pointer wisps, camera composition, and bloom pipeline.

The same world engine turned on Yosemite Valley at last light: El Capitan and Cathedral Rocks under painted alpenglow, Half Dome at the head of the valley, a giant sequoia grove, and the Merced running out of frame.

A park above the Golden Gate at the end of the day: wind-sheared Monterey cypress over a green bluff, the bridge stretched across the strait in International Orange, the Marin headlands beyond it, and fog coming in under the sun.

The same engine turned cold: Mount Victoria under alpenglow at the head of a glacial lake, its snowline and hanging glacier painted by the massif routine, a spruce fringe down both shores, and the peak mirrored in turquoise water.