Arch components and templates
Explore 14 ThreeUI components, templates, backgrounds, and interactive effects tagged Arch, with previews and editable implementation source.
- Predictive Arc — Predictive Arc
The violet predictive pixel arch with a luminous animated core.
- Predictive Arc — Data Pixel Arc
An emerald pixel horizon with an organic breathing band.
- Predictive Arc — Signal Particles
A dark signal-particle field with soft connective pulses.
- Predictive Arc — Override Grid
A block-by-block override grid with telemetry-orange accents.
- Predictive Arc — Ribbon Field
A cyan, indigo, and purple WebGL ribbon field resolved through an animated dot matrix.
- Predictive Arc — Void Field
A transparent raw-WebGL void field detached from its original article composition.
- Predictive Arc — Halftone Flow
A red-orange raw-WebGL flow field resolved through its authored six-pixel halftone matrix.
- Predictive Arc — Amber Halftone
An animated amber-to-white Three.js point field on a dark plane.
- Sylva Living World — Living Green
The original procedural moss-root world with pale flowers, ferns, drifting pollen, scan light, and a landing butterfly.
- Sylva Living World — Sakura Sunset
Mossy cherry boughs at close range, carrying a recursive twig network in open blossom over a golden cushion, with petals tumbling through a quiet dusk field.
- Sylva Living World — Maple Autumn
The same mossy boughs turned to maple: palmate leaves running crimson to gold along every spray, a green-gold cushion, and leaves tumbling through a cold slate dusk.
- Sylva Living World — Sequoia Mist
The same boughs as redwood: flat sprays of scale-needle foliage on fibrous cinnamon bark, deep moss, and sprigs drifting through grove fog.
- Sylva Sting — Sylva Sting
The world grows in behind an expanding wavefront, the statement lands, and the frame clears to its loop seam.
- Sylva Sting — Sylva Survey
The same scene cut into three two-second shots on one six-second loop: the survey pulse finishing on the arch's crown, the far ridge under open sky, then the whole root. Nothing is rebuilt between them — the camera cuts, and each shot carries a statement of its own.